Saturday, November 22, 2008

Logo Design Trend

By Bill Gardner

Trend-watching, until recently, has largely been an exercise in watching connections form between direct associations. Photoshop releases a new filter, and voila - entire raft of logos take on that effect. A particular illustration style is featured in a successful advertising campaign or movie, and in what seems like minutes, the flavor of that art starts to enhance corporate identities.

Periodically, something truly surprising and unexpected pops up. Finding those little treasures are one of the great perks of categorizing 27,000 logos, as LogoLounge and a talented panel of judges just did in preparation for our fourth book. But there's always that natural undercurrent of influence that touches this design and that, a drift of scent, a faint change in air temperature. It's there, but almost not.

This year, however, it seems as though there has been a change in the nature of trends themselves. Instead of a hub-to-spoke relationship in which trends fan out from a central source, prevailing tendencies in logo design now seem to send out long underground runners that poke through the dirt in unrelated, unexpected places, anywhere in the world. It's harder and harder to trace the rhizomatous spread of ideas anymore - which truly is a good thing.

Loops

Continuous bands, yes, but not all of these marks have that certain mojo of the Mobius strip. Moving away from the universal sign of infinity, this group of logos seems to celebrate the flow of a closed cycle. No doubt more than a few rubber bands were called into action for their modeling services, but a ribbon-like figure was not mandatory.

There is something personal about the lack of perfect symmetry displayed here. The flexible nature of these logos signifies the ability to transform to meet the needs of the moment. Some appear to be snapshots of motion captured in a millisecond, of an object tense with energy.

The Peugeot 307 loop reflects the profile of that specific car but also seems to hover weightlessly above the ground. The chromed appearance of the mark takes on a surrealistic quality while conveying a certain technical prowess as well.

1. Lippincott for IBM & Freescale 2. Angelini Design for Peugeot International 3. Miriello Grafico, Inc. for Qualcomm 4. Double Brand for Long term car rent

Strobe
Animation in the static environment of print is challenging at best, but with some sequential stop-motion images, a solution is at hand. Remember those flip-books that with a riffle played out a short animation? Now, take the images, place them on a single surface, and this is the result. These marks have a slinky-like, fluid nature that lends a graceful aesthetic to their associated companies.

The Nikon logo crafted by Interbrand some years ago may have signaled the introduction of this process with a major brand. Sprint's adoption of Lippincott's logo, a representation of the stop-motion animation of pin dropping, opened the gates for deeper exploration and solutions in a similar vein. Nokia Siemens' new animated logo, created by Moving Brands, successfully plays out the strobe concept when adapted to print.

1. Interbrand for Nikon 2. Moving Brands for Nokia Siemens Networks 3. Lippincott for UMW 4. Lippincott for Sprint

Global Expansion
What a refreshing outlook this trend presents. Time was that any company involved in international commerce gave some passing consideration to a globe as their logo. It's a solution that has become terribly challenging to address with an original perspective. These logos at least have the honesty to step back and say, "Hey, we may not be fully global yet, but give us time." All of these marks rely on a centric pattern that diminishes at the edge and then warps out to wrap the sphere in symbolic expansion.

Cato Purnell Partner's diverse group of solutions for Dubai Airport succinctly communicates a key message. Commerce, travel, and tourism have made Dubai a true crossroad for international travelers, and this world-class logo has found a unique way to express the point. Using the Islamic sacred symbol of an octagram, or eight-pointed star, the logo starts to envelope the global sphere with its spreading tile mosaic. The dissemination of a culture is no accidental message in this mark.

1. Lippincott for XOHM 2. Cato Purnell Partners for Dubai International 3. Futurebrand BC&H for Transpiratininga 4. FIRON for Novatel

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